Artiste is a European project developing a cross-collection search system for art galleries and museums. It combines image content retrieval with text based retrieval and uses RDF mappings in order to integrate diverse databases. The test sites of the Louvre, Victoria and Albert Museum, Uffizi Gallery and National Gallery London provide their own database schema for existing metadata, avoiding the need for migration to a common schema. The system will accept a query based on one museumÔÇÖs fields and convert them, through an RDF mapping into a form suitable for querying the other collections. The nature of some of the image processing algorithms means that the system can be slow for some computations, so the system is session-based to allow the user to return to the results later. The system has been built within a J2EE/EJB framework, using the Jboss Enterprise Application Server.
Secondary Title
WWW2002: The Eleventh International World Wide Web Conference
Publisher
International World Wide Web Conference Committee
ISBN
1-880672-20-0
Critical Arguements
CA "A key aim is to make a unified retrieval system which is targeted to usersÔÇÖ real requirements and which is usable with integrated cross-collection searching. Museums and Galleries often have several digital collections ranging from public access images to specialised scientific images used for conservation purposes. Access from one gallery to another was not common in terms of textual data and not done at all in terms of image-based queries. However the value of cross-collection access is recognised as important for example in comparing treatments and conditions of paintings. While ARTISTE is primarily designed for inter-museum searching it could equally be applied to museum intranets. Within a MuseumÔÇÖs intranet there may be systems which are not interlinked due to local management issues."
Conclusions
RQ "The query language for this type of system is not yet standardised but we hope that an emerging standard will provide the session-based connectivity this application seems to require due to the possibility of long query times." ... "In the near future, the project will be introducing controlled vocabulary support for some of the metadata fields. This will not only make retrieval more robust but will also facilitate query expansion. The LouvreÔÇÖs multilingual thesaurus will be used in order to ensure greater interoperability. The system is easily extensible to other multimedia types such as audio and video (eg by adding additional query items such as "dialog" and "video sequence" with appropriate analysers). A follow-up project is scheduled to explore this further. There is some scope for relating our RDF query format to the emerging query standards such as XQuery and we also plan to feed our experience into standards such as the ZNG initiative.
SOW
DC "The Artiste project is a European Commission funded collaboration, investigating the use of integrated content and metadata-based image retrieval across disparate databases in several major art galleries across Europe. Collaborating galleries include the Louvre in Paris, the Victoria and Albert Museum in London, the Uffizi Gallery in Florence and the National Gallery in London." ... "Artiste is funded by the European CommunityÔÇÖs Framework 5 programme. The partners are: NCR, The University of Southampton, IT Innovation, Giunti Multimedia, The Victoria and Albert Museum, The National Gallery, The research laboratory of the museums of France (C2RMF) and the Uffizi Gallery. We would particularly like to thank our collaborators Christian Lahanier, James Stevenson, Marco Cappellini, John Cupitt, Raphaela Rimabosci, Gert Presutti, Warren Stirling, Fabrizio Giorgini and Roberto Vacaro."
Type
Conference Proceedings
Title
Integrating Metadata Schema Registries with Digital Preservation Systems to Support Interoperability: A Proposal
There are a large number of metadata standards and initiatives that have relevance to digital preservation, e.g. those designed to support the work of national and research libraries, archives and digitization initiatives. This paper introduces some of these, noting that the developers of some have acknowledged the importance of maintaining or re-using existing metadata. It is argued here that the implementation of metadata registries as part of a digital preservation system may assist repositories in enabling the management and re-use of this metadata and may also help interoperability, namely the exchange of metadata and information packages between repositories.
Publisher
2003 Dublin Core Conference: Supporting Communities of Discourse and Practice-Metadata Research & Applications
Publication Location
Seatle, WA
Critical Arguements
CA "This paper will introduce a range of preservation metadata initiatives including the influential Open Archival Information System (OAIS) reference model and a number of other initiatives originating from national and research libraries, digitization projects and the archives community. It will then comment on the need for interoperability between these specifications and propose that the implementation of metadata registries as part of a digital preservation system may help repositories manage diverse metadata and facilitate the exchange of metadata or information packages between repositories."
Conclusions
RQ "The plethora of metadata standards and formats that have been developed to support the management and preservation of digital objects leaves us with several questions about interoperability. For example, will repositories be able to cope with the wide range of standards and formats that exist? Will they be able to transfer metadata or information packages containing metadata to other repositories? Will they be able to make use of the 'recombinant potential' of existing metadata?" ... "A great deal of work needs to be done before this registry-based approach can be proved to be useful. While it would undoubtedly be useful to have registries of the main metadata standards developed to support preservation, it is less clear how mapping-based conversions between them would work in practice. Metadata specifications are based on a range of different models and conversions often lead to data loss. Also, much more consideration needs to be given to the practical issues of implementation." 
SOW
DC Michael Day is a research officer at UKOLN, which is based at the University of Bath. He belongs to UKOLN's research and development team, and works primarily on projects concerning metadata, interoperability and digital preservation. 
Type
Journal
Title
Describing Records in Context in the Continuum: The Australian Recordkeeping Metadata Schema
CA RKMS is based on traditional recordkeeping thinking. However, it also looks to the future by viewing records as active agents of change, as intelligent information objects, which are supported by the metadata that RKMS' framework provides. Through RKMS, the dynamic world of business can be linked to the more passive world of cyberspace resource management.
Phrases
<P1> As long as records remain in the local domains in which they are created, a lot of broader contextual metadata is "in the air," carried in the minds of the corporate users of the records. When records move beyond the boundaries of the local domain in which they are created or, as is increasingly the case in networked environments, they are created in the first place in a global rather than a local domain, then this kind of metadata needs to be made explicit -- that is, captured and persistently linked to the record. This is essential so that users in the broader domain can uniquely identify, retrieve and understand the meanings of records. (p.7) <P2> The broader social context of the project is the need for individuals, society, government, and commerce to continually access the information they need to conduct their business, protect their rights and entitlements, and securely trace the trail of responsibility and action in distributed enterprises. ... Maintaining reliable, authentic and useable evidence of transactions through time and space has significant business, social, and cultural implications, as records provide essential evidence for purposes of governance, accountability, memory and identity. (p.6)
Conclusions
RQ There is a need to develop typologies of recordkeeping relationships such as agent to record and better ways to express them through metadata.
Type
Report
Title
Introduction to the Victoria Electronic Records Strategy (VERS) PROS 99/007 (Version 2)
CA VERS has two major goals: the preservation of electronic records and enabling efficient management in doing so. Version 2 has an improved structure, additional metadata elements, requirements for preservation and compliance requirements for agencies. ÔÇ£ExportÔÇØ compliance allows agencies to maintain their records within their own recordkeeping systems and add a module so they can generate the VERS format for export, especially for long term preservation. ÔÇ£NativeÔÇØ complicance is when records are converted to long term preservation format upon registration which is seen as the ideal approach.
Type
Web Page
Title
Documenting Business: The Australian Recordkeeping Metadata Schema
In July 1999, the Australian Recordkeeping Metadata Schema (RKMS) was approved by its academic and industry steering group. This metadata set now joins other community specific sets in being available for use and implementation into workplace applications. The RKMS has inherited elements from and built on many other metadata standards associated with information management. It has also contributed to the development of subsequent sector specific recordkeeping metadata sets. The importance of the RKMS as a framework for 'mapping' or reading other sets and also as a standardised set of metadata available for adoption in diverse implementation environments is now emerging. This paper explores the context of the SPIRT Recordkeeping Metadata Project, and the conceptual models developed by the SPIRT Research Team as a framework for standardising and defining Recordkeeping Metadata. It then introduces the elements of the SPIRT Recordkeeping Metadata Schema and explores its functionality before discussing implementation issues with reference to document management and workflow technologies.
Critical Arguements
CA Much of the metadata work done so far has worked off the passive assumption of records as document-like objects. Instead, they need to be seen as active entities in business transactions.
Conclusions
RQ In order to decide which elements are to be used from the RKMS, organizations need to delineate the reach of specific implementations as far as how and when records need to be bound with metadata.
Type
Web Page
Title
Archiving The Avant Garde: Documenting And Preserving Variable Media Art.
Archiving the Avant Garde is a collaborative project to develop, document, and disseminate strategies for describing and preserving non-traditional, intermedia, and variable media art forms, such as performance, installation, conceptual, and digital art. This joint project builds on existing relationships and the previous work of its founding partners in this area. One example of such work is the Conceptual & Intermedia Arts Online (CIAO) Consortium, a collaboration founded by the BAM/PFA, the Walker Art Center, and Franklin Furnace, that includes 12 other international museums and arts organizations. CIAO develops standardized methods of documenting and providing access to conceptual and other ephemeral intermedia art forms. Another example of related work conducted by the project's partners is the Variable Media Initiative, organized by the Guggenheim Museum, which encourages artists to define their work independently from medium so that the work can be translated once its current medium is obsolete. Archiving the Avant Garde will take the ideas developed in previous efforts and develop them into community-wide working strategies by testing them on specific works of art in the practical working environments of museums and arts organizations. The final project report will outline a comprehensive strategy and model for documenting and preserving variable media works, based on case studies to illustrate practical examples, but always emphasizing the generalized strategy behind the rule. This report will be informed by specific and practical institutional practice, but we believe that the ultimate model developed by the project should be based on international standards independent of any one organization's practice, thus making it adaptable to many organizations. Dissemination of the report, discussed in detail below, will be ongoing and widespread.
Critical Arguements
CA "Works of variable media art, such as performance, installation, conceptual, and digital art, represent some of the most compelling and significant artistic creation of our time. These works are key to understanding contemporary art practice and scholarship, but because of their ephemeral, technical, multimedia, or otherwise variable natures, they also present significant obstacles to accurate documentation, access, and preservation. The works were in many cases created to challenge traditional methods of art description and preservation, but now, lacking such description, they often comprise the more obscure aspects of institutional collections, virtually inaccessible to present day researchers. Without strategies for cataloging and preservation, many of these vital works will eventually be lost to art history. Description of and access to art collections promote new scholarship and artistic production. By developing ways to catalog and preserve these collections, we will both provide current and future generations the opportunity to learn from and be inspired by the works and ensure the perpetuation and accuracy of art historical records. It is to achieve these goals that we are initiating the consortium project Archiving the Avant Garde: Documenting and Preserving Variable Media Art."
Conclusions
RQ "Archiving the Avant Garde will take a practical approach to solving problems in order to ensure the feasibility and success of the project. This project will focus on key issues previously identified by the partners and will leave other parts of the puzzle to be solved by other initiatives and projects in regular communication with this group. For instance, this project realizes that the arts community will need to develop software tools which enable collections care professionals to implement the necessary new description and metadata standards, but does not attempt to develop such tools in the context of this project. Rather, such tools are already being developed by a separate project under MOAC. Archiving the Avant Garde will share information with that project and benefit from that work. Similarly, the prospect of developing full-fledged software emulators is one best solved by a team of computer scientists, who will work closely with members of the proposed project to cross-fertilize methods and share results. Importantly, while this project is focused on immediate goals, the overall collaboration between the partner organizations and their various initiatives will be significant in bringing together the computer science, arts, standards, and museum communities in an open-source project model to maximize collective efforts and see that the benefits extend far and wide."
SOW
DC "We propose a collaborative project that will begin to establish such professional best practice. The collaboration, consisting of the Berkeley Art Museum and Pacific Film Archive (BAM/PFA), the Solomon R. Guggenheim Museum, Rhizome.org, the Franklin Furnace Archive, and the Cleveland Performance Art Festival and Archive, will have national impact due to the urgent and universal nature of the problem for contemporary art institutions, the practicality and adaptability of the model developed by this group, and the significant expertise that this nationwide consortium will bring to bear in the area of documenting and preserving variable media art." ... "We believe that a model informed by and tested in such diverse settings, with broad public and professional input (described below), will be highly adaptable." ..."Partners also represent a geographic and national spread, from East Coast to Midwest to West Coast. This coverage ensures that a wide segment of the professional community and public will have opportunities to participate in public forums, hosted at partner institutions during the course of the project, intended to gather an even broader cross-section of ideas and feedback than is represented by the partners." ... "The management plan for this project will be highly decentralized ensuring that no one person or institution will unduly influence the model strategy for preserving variable media art and thereby reduce its adaptability."
There are many types of standards used to manage museum collections information. These "standards", which range from precise technical  standards to general guidelines, enable museum data to be efficiently  and consistently indexed, sorted, retrieved, and shared, both  in automated and paper-based systems. Museums often use metadata standards  (also called data structure standards) to help them: define what types of information to record in their database  (or card catalogue); structure this information (the relationships between the  different types of information). Following (or mapping data to) these standards makes it possible  for museums to move their data between computer systems, or share  their data with other organizations.
Notes
The CHIN Web site features sections dedicated to Creating and Managing Digital Content, Intellectual Property, Collections Management, Standards, and more. CHIN's array of training tools, online publications, directories and databases are especially designed to meet the needs of both small and large institutions. The site also provides access to up-to-date information on topics such as heritage careers, funding and conferences.
Critical Arguements
CA "Museums often want to use their collections data for many purposes, (exhibition catalogues, Web access for the public, and curatorial research, etc.), and they may want to share their data with other museums, archives, and libraries in an automated way. This level of interoperability between systems requires cataloguing standards, value standards, metadata standards, and interchange standards to work together. Standards enable the interchange of data between cataloguer and searcher, between organizations, and between computer systems."
Conclusions
RQ "HIN is also involved in a project to create metadata for a pan-Canadian inventory of learning resources available on Canadian museum Web sites. Working in consultation with the Consortium for the Interchange of Museum Information (CIMI), the Gateway to Educational Materials (GEM) [link to GEM in Section G], and SchoolNet, the project involves the creation of a Guide to Best Practices and cataloguing tool for generating metadata for online learning materials. " 
SOW
DC "CHIN is involved in the promotion, production, and analysis of standards for museum information. The CHIN Guide to Museum Documentation Standards includes information on: standards and guidelines of interest to museums; current projects involving standards research and implementation; organizations responsible for standards research and development; Links." ... "CHIN is a member of CIMI (the Consortium for the Interchange of Museum Information), which works to enable the electronic interchange of museum information. From 1998 to 1999, CHIN participated in a CIMI Metadata Testbed which aimed to explore the creation and use of metadata for facilitating the discovery of electronic museum information. Specifically, the project explored the creation and use of Dublin Core metadata in describing museum collections, and examined how Dublin Core could be used as a means to aid in resource discovery within an electronic, networked environment such as the World Wide Web." 
This document provides some background on preservation metadata for those interested in digital preservation. It first attempts to explain why preservation metadata is seen as an essential part of most digital preservation strategies. It then gives a broad overview of the functional and information models defined in the Reference Model for an Open Archival Information System (OAIS) and describes the main elements of the Cedars outline preservation metadata specification. The next sections take a brief look at related metadata initiatives, make some recommendations for future work and comment on cost issues. At the end there are some brief recommendations for collecting institutions and the creators of digital content followed by some suggestions for further reading.
Critical Arguements
CA "This document is intended to provide a brief introduction to current preservation metadata developments and introduce the outline metadata specifications produced by the Cedars project. It is aimed in particular at those who may have responsibility for digital preservation in the UK further and higher education community, e.g. senior staff in research libraries and computing services. It should also be useful for those undertaking digital content creation (digitisation) initiatives, although it should be noted that specific guidance on this is available elsewhere. The guide may also be of interest to other kinds of organisations that have an interest in the long-term management of digital resources, e.g. publishers, archivists and records managers, broadcasters, etc. This document aimes to provide: A rationale for the creation and maintenance of preservation metadata to support digital preservation strategies, e.g. migration or emulation; An introduction to the concepts and terminology used in the influential ISO Reference Model for an Open Archival Information System (OAIS); Brief information on the Cedars outline preservation metadata specification and the outcomes of some related metadata initiatives; Some notes on the cost implications of preservation metadata and how these might be reduced.
Conclusions
RQ "In June 2000, a group of archivists, computer scientists and metadata experts met in the Netherlands to discuss metadata developments related to recordkeeping and the long-term preservation of archives. One of the key conclusions made at this working meeting was that the recordkeeping metadata communities should attempt to co-operate more with other metatdata initiatives. The meeting also suggested research into the contexts of creation and use, e.g. identifying factors that might encourage or discourage creators form meeting recordkeeping metadata requirements. This kind of research would also be useful for wider preservation metadata developments. One outcome of this meeting was the setting up of an Archiving Metadata Forum (AMF) to form the focus of future developments." ... "Future work on preservation metadata will need to focus on several key issues. Firstly, there is an urgent need for more practical experience of undertaking digital preservation strategies. Until now, many preservation metadata initiatives have largely been based on theoretical considerations or high-level models like the OAIS. This is not in itself a bad thing, but it is now time to begin to build metadata into the design of working systems that can test the viability of digital preservation strategies in a variety of contexts. This process has already begun in initiatives like the Victorian Electronic Records Stategy and the San Diego Supercomputer Center's 'self-validating knowledge-based archives'. A second need is for increased co-operation between the many metadata initiatives that have an interest in digital preservation. This may include the comparison and harmonisation of various metadata specifications, where this is possible. The OCLC/LG working group is an example of how this has been taken forward whitin a particular domain. There is a need for additional co-operation with recordkeeping metadata specialists, computing scientists and others in the metadata research community. Thirdly, there is a need for more detailed research into how metadata will interact with different formats, preservation strategies and communities of users. This may include some analysis of what metadata could be automatically extracted as part of the ingest process, an investigation of the role of content creators in metadata provision, and the production of user requirements." ... "Also, thought should be given to the development of metadata standards that will permit the easy exchange of preservation metadata (and information packages) between repositories." ... "As well as ensuring that digital repositories are able to facilitate the automatic capture of metadata, some thought should also be given to how best digital repositories could deal with any metadata that might already exist."
SOW
DC "Funded by JISC (the Joint Information Systems Committee of the UK higher education funding councils), as part of its Electronic Libraries (eLib) Programme, Cedars was the only project in the programme to focus on digital preservation." ... "In the digitial library domain, the development of a recommendation on preservation metadata is being co-ordinated by a working group supported by OCLC and the RLG. The membership of the working group is international, and inlcudes key individuals who were involved in the development of the Cedars, NEDLIB and NLA metadata specifications."
Type
Web Page
Title
Schema Registry: activityreports: Recordkeeping Metadata Standard for Commonwealth Agencies
CA "The Australian SPIRT Recordkeeping Metadata Project was initially a project funded under a programme known as the Strategic Partnership with Industry -- Research and Training (SPIRT) Support Grant -- partly funded by the Australian Research Council. The project was concerned with developing a framework for standardising and defining recordkeeping metadata and produced a metadata element set eventually known as the Australian Recordkeeping Metadata Schema (RKMS). The conceptual frame of reference in the project was based in Australian archival practice, including the Records Continuum Model and the Australian Series System. The RKMS also inherits part of the Australian Government Locator Service (AGLS) metadata set."
CA The metadata necessary for successful management and use of digital objects is both more extensive than and different from the metadata used for managing collections of printed works and other physical materials. Without structural metadata, the page image or text files comprising the digital work are of little use, and without technical metadata regarding the digitization process, scholars may be unsure of how accurate a reflection of the original the digital version provides. For internal management purposes, a library must have access to appropriate technical metadata in order to periodically refresh and migrate the data, ensuring the durability of valuable resources.
SOW
DC OAIS emerged out of an initiative spearheaded by NASA's Consultative Committee for Space Data Systems. It has been shaped and promoted by the RLG and OCLC. Several international projects have played key roles in shaping the OAIS model and adapting it for use in libraries, archives and research repositories. OAIS-modeled repositories include the CEDARS Project, Harvard's Digital Repository, Koninklijke Bibliotheek (KB), the Library of Congress' Archival Information Package for audiovisual materials, MIT's D-Space, OCLC's Digital Archive and TERM: the Texas Email Repository Model.
Type
Web Page
Title
Creating and Documenting Text: A Guide to Good Practice
CA "The aim of this Guide is to take users through the basic steps involved in creating and documenting an electronic text or similar digital resource. ... This Guide assumes that the creators of electronic texts have a number of common concerns. For example, that they wish their efforts to remain viable and usable in the long-term, and not to be unduly constrained by the limitations of current hardware and software. Similarly, that they wish others to be able to reuse their work, for the purposes of secondary analysis, extension, or adaptation. They also want the tools, techniques, and standards that they adopt to enable them to capture those aspects of any non-electronic sources which they consider to be significant -- whilst at the same time being practical and cost-effective to implement."
Conclusions
RQ "While a single metadata scheme, adopted and implemented wholescale would be the ideal, it is probable that a proliferation of metadata schemes will emerge and be used by different communities. This makes the current work centred on integrated services and interoperability all the more important. ... The Warwick Framework (http://www.ukoln.ac.uk/metadata/resources/wf.html) for example suggests the concept of a container architecture, which can support the coexistence of several independently developed and maintained metadata packages which may serve other functions (rights management, administrative metadata, etc.). Rather than attempt to provide a metadata scheme for all web resources, the Warwick Framework uses the Dublin Core as a starting point, but allows individual communities to extend this to fit their own subject-specific requirements. This movement towards a more decentralised, modular and community-based solution, where the 'communities of expertise' themselves create the metadata they need has much to offer. In the UK, various funded organisations such as the AHDS (http://ahds.ac.uk/), and projects like ROADS (http://www.ilrt.bris.ac.uk/roads/) and DESIRE (http://www.desire.org/) are all involved in assisting the development of subject-based information gateways that provide metadata-based services tailored to the needs of particular user communities."
This guide is optimized for creation of EAD-encoded finding aids for the collections of New York University and New York Historical Society. The links on the page list tools and files that may be downloaded and referenced for production of NYU-conformant finding aids.
Publisher
New York University
Critical Arguements
CA "This guide is optimized for creation of EAD-encoded finding aids for the collections of New York University and New York Historical Society. Instructions assume the use of NoteTab as the XML editor, utilizing template files that serve as base files for the different collections." 
Conclusions
RQ
SOW
DC This guide serves both New York University and the New York Historical Society.
Type
Web Page
Title
Preservation Metadata and the OAIS Information Model: A Metadata Framework to Support the Preservation of Digital Objects
CA "In March 2000, OCLC and RLG sponsored the creation of a working group to explore consensus-building in the area of preservation metadata. ... The charge of the group was to pool their expertise and experience to develop a preservation metadata framework applicable to a broad range of digital preservation activities." (p.1) "The OAIS information model offers a broad categorization of the types of information falling under the scope of preservation metadata; it falls short, however, of providing a decomposition of these information types into a list of metadata elements suitable for practical implementation. It is this need that the working group addressed in the course of its activities, the results of which are reported in this paper." (p. 47)
Conclusions
RQ "The metadata framework described in this paper can serve as a foundation for future work in the area of preservation metadata. Issues of particular importance include strategies and best practices for implementing preservation metadata in an archival system; assessing the degree of descriptive richness required by various types of digital preservation activities; developing algorithms for producing preservation metadata automatically; determining the scope for sharing preservation metadata in a cooperative environment; and moving beyond best practice towards an effort at formal standards building in this area." (47)
SOW
DC "[The OCLC and RLG working group] began its work by publishing a white paper entitled Preservation Metadata for Digital Objects: A Review of the State of the Art, which defined and discussed the concept of preservation metadata, reviewed current thinking and practice in the use of preservation metadata, and identified starting points for consensus-building activity in this area. The group then turned its attention to the main focus of its activity -- the collaborative development of a preservation metadata framework. This paper reports the results of the working groupÔÇÖs efforts in that regard." (p. 1-2)
Type
Web Page
Title
Online Archive of California Best Practice Guidelines for Encoded Archival Description, Version 1.1
These guidelines were prepared by the OAC Working Group's Metadata Standards Subcommittee during the spring and summer of 2003. This version of the OAC BPG EAD draws substantially on the
Language
Anonymous
Type
Web Page
Title
Record Keeping Metadata Requirements for the Government of Canada
This document comprises descriptions for metadata elements utilized by the Canadian Government as of January 2001.
Critical Arguements
CA "The Record Keeping Metadata is defined broadly to include the type of information Departments are required to capture to describe the identity, authenticity, content, context, structure and management requirements of records created in the context of a business activity. The Metadata model consists of elements, which are the attributes of a record that are comparable to fields in a database. The model is modular in nature. It permits Departments to use a core set of elements that will meet the minimum requirements for describing and sharing information, while facilitating interoperability between government Departments. It also allows Departments with specialized needs or the need for more detailed descriptions to add new elements and/or sub-elements to the basic metadata in order to satisfy their particular business requirements."
Type
Web Page
Title
Capturing Electronic Transactional Evidence: The Future
This standard sets out principles for making and keeping full and accurate records as required under section 12(1) of the State Records Act 1998. The principles are: Records must be made; Records must be accurate; Records must be authentic; Records must have integrity; Records must be useable. Each principle is supported by mandatory compliance requirements.
Critical Arguements
CA "Section 21(1) of the State Records Act 1998 requires public offices to 'make and keep full and accurate records'. The purpose of this standard is to assist public offices to meet this obligation and to provide a benchmark against which a public office's compliance may be measured."
Conclusions
RQ None
SOW
DC This standard is promulgated by the State Records Agency of New South Wales, Australia, as required under section 12(1) of the State Records Act 1998.
